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Project index
2011
2011. Attachment drawing: dynamic release circuit breaker activated by gravity, installation and performance action, Quartair Contemporary Art Initiatives, The Hague, Netherlands
2011. Repeat as Required, Public site specific project and performance in association with Center for Contemporary Arts Celje and Zavod Celeia, Celje, Slovenia. Curated by Jani Pirnat
2011. Didactic monuments, Public site specific project and performance in “Vstop Prost/ Admission free 2011”, Celje, Slovenia.
2011. Domestic Interdiction, sculpture installation, in Headlands Sculpture on the Gulf, Waiheke Island, Auckland, NZ. Curated by Heather Galbraith, Trish Clark, James McCarthy. Selectors merit award.
2011. Propositional Architecture II:activated by 15 people, describing an Arc of approximately 20 meters, performance sculpture, in “Baggart Art Exhibition”, Jarasum, Gapyeong, South Korea. Curated by Cho, Hyunjun.
2010
2010. Propositional architecture, installation, in Artisterium 3, Georgian National Museum, Tbilisi, Georgia. Curated by Magda Garuli.
2010. Innapropriate attachment, Performance, in “Neo-Nomadic Party”, In association with ARKO Museum and Nine Dragon Heads, Silk Road, Tian Xian mountains, China.
2010. Industrial poetry (Lotus field II), installation, in Neo-Nomadic party, ARKO museum and Gallery, Seoul.
2009
2009. ...etwas verloren (...something lost), in Subdokumenta, Public site specific project: installation in unoccupied commercial space, Skenderija shopping center, Sarajevo, Bosnia. Curated by Jusuf Hadzifejzović.
2009. Recreational Bureaucracy, Public site specific project: amateur surveillance project in Christchurch streets, in association with Physics Room, Christchurch. (NB link opens external site)
2009. Fragile fortress, Public site specific project: sited in disused lookout post on the coast, JeJu Island and on the high tide line, Hyundai Beach, Busan. With Nine Dragon Heads. South Korea.
2009. under construction (series continuation), site specific installation in Artisterium 2, Georgian National History Museum, Tbilisi, Georgia. Curated by Magda Garuli.
2009. Untitled, sound and sculpture installation, collaboration with Lars Preisser, in Instructional Models at the Blue Oyster Gallery. Dunedin. NZ.
2009. Unstable institutional memory: 10 years at the Blue Oyster. Independent curatorial project, commissioned by Blue Oyster Arts Trust. Blue Oyster Art Project Space, Dunedin, NZ. Participating artists: Julian Dashper, Steve Carr, Margaret Roberts, Hannah Beehre, Richard Crow and Michael Morley, Hawthorne experiment.
2008
2008. Falling (waiting), Performance, in 13th Nine Dragon Heads International Environment Art Symposium, Jeju Island, South Korea.
2008. (waiting) installation, in “13th Nine Dragon Heads International Environment Art Symposium”, Cheongju Artists Residency, Cheongju, South Korea.
2007
2007. Please wait, Performance, in “12th Nine Dragon Heads International Environment Art Symposium,” Sunyudo, South Korea.
2007. Twilight, Public site specific project, in “...the Space Between...” a Browns Cows project. Mann St, Gosford, Australia.
2007. Herd corners in "RAP" curated by Michelle Armistead for Blue Oyster Gallery, Dunedin NZ
2007. Border creature in "Come Ashore" Gojae Art Gallery, During 12th Nine Dragon Heads International Environment Art Symposium, Gojae Island, South Korea. Curated by Park, Byoung-Uk and Kim, Yi-sun.
2007. Stop, in "Come Ashore" Cheong-ju Art Center, in “12th Nine Dragon Heads International Environment Art Symposium,” Cheong-ju City, South Korea.
2007. Sighing: just out of earshot. Independent curatorial project. Blue Oyster Art Project Space, Dunedin, NZ.Participating artists: Viel Bjerkeset Anderson, Gordana Andelić-Galić, Lisa Benson, Thom Vink and Saara Erkstrom.
2006
2006. Under Construction. Performance and installation in “Blue Oyster Performance Series”, Blue Oyster Art Project Space, Dunedin, NZ.
2006. Blind landscape, Performance, in “11th Nine Dragon Heads International Environment Art Symposium”, Mount Geumgan, North Korea.
2006. Kiss protocol, Performance and temporary installation, in “11th Nine Dragon Heads International Environment Art Symposium”, at Neutral Nations Supervisory commission, Demilitarised Zone between North and South Korea.
2006. Walking with swan: stone sleepers. Performance, in “Sarajevo Winter”. Sarajevo, Bosnia & Herzegovina.
2006. Device. installed in R.S.A., curated by Anna Muirhead and Emily Pauling, Blue Oyster Gallery Dunedin. NZ
2006. 129 Oaks. with Iain Cheesman at Aigantighe Gallery Timaru, NZ.
2006. Home Front. with Iain Cheesman at Forrestor Gallery Oamaru, NZ, also shown in Ashburton Art Gallery, Ashburton. NZ.
2006. Stand, in Shape Shifter. Sculpture exhibition at Frederick Wallis House, Wellington festival of the arts. Wellington, NZ.
2006. Sarajevo Swan, in Change Concept. Nine Dragon Heads. Turkish Culture Center. Sarajevo. Bosnia & Herzegovina.
2006. Play. Independent curatorial project. co-curated with Charlotte Dick, Blue Oyster Art Project Space, Dunedin, NZ.
Participating artists: Jacqueline Greenbank, Rebecca Agnew, Simon Lawrence, Morgan Oliver, and Jamie Richardson
2005
2005. Kitset Fido. Performance, in “10th Nine Dragon Heads International Environment Art Symposium”, Taecheong Ho, Chungbuk, South Korea.
2005. Sarajevo Document. Performance, in “Sarajevo Winter”, Bosnia & Herzegovina
2005. Four horsemen: carousel. Public site specific project: temporary installation on a traffic island on Wharf St, in Terminus Public Art Project, Dunedin, NZ
2005. Free parking. Public site specific project: temporary installation, in Terminus Public Art Project, Haulashore Island, Nelson, NZ. 2005. Lotus field. Public site specific project: temporary installation in a Mangrove swamp, in Dawn Light, co-curated by Browns Cows and Gosford Regional Gallery, Gosford, Australia
2005. Schema. Public site specific project; permanent installation in Höslewang, Bavaria, commissioned by Chiemseeart Project, Germany.
2005. Terminus at the Hocken. with Iain Cheesman and Neil Berecry-Brown. Hocken Library and Collections, Dunedin, NZ
2005. Suspended, in Dawn Light. A Browns Cows project. Gosford Regional Gallery, Central Coast, Australia.
2005. Wasserberg document, performance and installation, in Summer Exhibition. Rathaus Gallery, Wasserburg, Germany.
2005. Access, in Nine Dragon Heads, 22 international artists, Cheong-Ju Public Art Gallery, Cheong-ju City, South Korea.
2005. Tension web, in Sarajevo Kafe Depot. Curated by Jusuf Hadzifejzovich. Shown in two venues with different artists Gallery IPC-É', and Musee Attentat, Sarajevo, Bosnia i Herzegovina.
2005. Sarajevo Document, in International Artists Exhibition. Gallery Novi Hram, Sarajevo, Bosnia i Herzegovina.
2005. Terminus Public Art Project Independent Curatorial project. In association with Hocken Library and Collections and Nelson Festival of the arts. Nelson and Dunedin, NZ. Participating artists: John Lyall, Neil Berecry-Brown, Jieon Lee, Byoung-uk Park, Sue Chudley, Dave Gooding, Iain Cheesman, Liz Bryce, Ruth Parsons, Don Hunter, Ana Terry, Lou Darcy, Andy Clover, Graeme Clement.
2004
2004. Two-faced. Public site specific project: temporay installation in a disused military bunker, in “Art meeting in Bergkvara', in association with Kalmar Kunstmuseum, Sweden.
2004. Access. Public site specific project: temporary installation in a parking garage, in “9th Nine Dragon Heads International Environment Art Symposium”, Taecheong Ho, Chungbuk Province, South Korea.
2004. Unintentional detour. Solo sculpture exhibition. Sea Level Studio, Tasman. Nelson, NZ.
2004. Access, in New Zealand and Australia Contemporary Artists. Pici Gallery, Seoul. South Korea.
2004. Broken logic, in Beautiful Garbage, Cheong-Ju Public Art Gallery, Cheong-ju City, South Korea.
2004. Sketchbook, in “Blue Oyster International Art Fair and Cake Stall”. Blue Oyster Gallery, Dunedin, NZ.
2004. Beautiful Garbage: New Zealand and Australian Contemporary Artists. Curatorial project. co-curated with Neil Berecry Brown for Nine Dragon Heads. Pici Gallery, Seoul.
2004. Political Landscapes. Curatorial project. Blue Oyster Art Project Space, Dunedin, NZ. Participating artists: Jennifer French, Gregor Kregar, Jim Searle.
2003
2003. Broken logic. Public site specific project: temporary installation, in “8th Nine Dragon Heads International Environment Art Symposium”, Taecheong Ho, Chungbuk, South Korea.
2003. Flotsam (letter to my mother). Public site specific project: temporary installation. In “Co-Incidence Public Art project,” Pakawau tidal flats, Golden Bay, New Zealand.
2003. Gabriel’s day off. Solo sculpture exhibition. Little River Gallery, Banks Peninsula, NZ.
2003. Sharp thinking about quiet things. Solo sculpture exhibition. Center of Contemporary Art. Christchurch, NZ.
2003. Calf club blues, sculpture in “Blue Oyster Import/Export company”. Travelling; Enjoy in Wellington, High Street Project in Christchurch, Blue Oyster Arts Project Space, Dunedin, NZ.
2003. Storm warning, sculpture. in Macs Live Sculpture Symposium. 9th Nelson Festival of the Arts.
2003. Mobile bunkers, in Strange things might work. with Paul Cullen, Peter Nicholls. Blue Oyster Arts Project Space, Dunedin, NZ.
2002/03. Co-Incidence, a site based sculpture symposium, Golden Bay. Supported by Creative New Zealand.
2002
2002. Field. Public site specific project: temporary installation,in “7th Nine Dragon Heads International Environment Art Symposium”, Taecheong Ho, Chungbuk, South Korea.
2002. Transitional places, Solo Project. Blue Oyster Arts Project Space, Dunedin, NZ.
2001
2001. Nostalgia. Public site specific project: temporary installation, in “6th Nine Dragon Heads International Environment Art Symposium”, Taecheong Ho, Chungbuk, South Korea.
2001. Proxy, Performance, in “A Night of Performance”. Blue Oyster Arts Project Space, Dunedin, NZ.
2001. Three points of tension. Solo Project. Blue Oyster Arts Project Space, Dunedin, NZ.
2001. Angel stick and ghostnet, in “Macs Live Sculpture Symposium”. 7th Nelson Festival of the Arts. Nelson, NZ
2000
2000. Swarm. with Cathy Helps. The Blue Oyster Gallery. Dunedin, NZ.
2000. Pink and Fluffy, in “Aureliae”; 800 Works from the School of Art Collection 130 Years. Logan Park Art Gallery. Dunedin, NZ. Curated by Susan Ballard.
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